Rex Miller’s Wired for Chaos traces Harley Flanagan’s journey from unprotected childhood to punk notoriety and eventual reform. This review examines trauma, violence, male ecosystems and the disciplined work of survival inside America’s hardcore scene.

Following the controversial release of Michael, Féroce speaks with Coventry University media scholar Spencer Murphy about celebrity biopics, cultural memory, and the sanitisation of abuse allegations in mainstream entertainment. From Michael Jackson to Amy Winehouse and Bohemian Rhapsody, the discussion explores how modern biopics reshape history into marketable brands.

Inspired by a long-circulating wartime myth about Churchill commissioning pornographic propaganda, Think of England explores censorship, morality and the strange ethical loopholes that emerge during moments of national crisis.

Super Nature, Ed Sayers’ feature debut, brings together contributors from across the globe, each filming the natural world on Super 8. The result is an intimate, communal portrait of humanity not as a planetary illness, but as a vital part of nature itself. Rejecting shame-based environmental narratives, the film offers a tender and radically optimistic vision of collective care, connection and responsibility in the face of the climate crisis.

Alice Winocour’s Couture follows three women navigating the intensity of Paris Fashion Week, from a director confronting illness to a young model finding her footing. Anchored by a powerful performance from Angelina Jolie, the film offers a tender meditation on artistry, labour and the unseen work behind spectacle.

Ahead of its premiere at FrightFest during the Glasgow Film Festival, director Adam O’Brien and producer Philip Kalin-Hajdu discuss the making of Bury The Devil. From the technical and storytelling challenges of shooting a horror film to the collaborative dynamic that fuels their work, the duo reflect on ambition, risk, and building tension in real time.

Charli XCX takes her first major leading role in Pete Ohs’ Erupja, a stripped-back art film about longing, self-sabotage and emotional escape. Set against a Warsaw getaway, the film explores a destructive reunion and the fragile tension between passion and responsibility.

Julia Reagan’s For the Love of Strippers examines strip labour, stigma and organising, centring racialised dancers, care, survival and collective power.

Sam Raimi’s Send Help mixes horror and comedy with energetic direction and strong performances, delivering a chaotic, character-driven survival thriller that marks a return to his splatter-inflected style.

Mark Fischbach’s Iron Lung is an ambitious single-location horror thriller adapted from David Szymanski’s indie game. It delivers flashes of claustrophobic tension, strong sound design, and grisly visual fun, Féroce Magazine reviews Iron Lung 2026.

The Bone Temple continues the 28 Years Later story with a darker, more visceral lens, examining humanity’s capacity for cruelty and compassion. Directed by Nia DaCosta, the film explores blind faith, violence, and hope through cult terror and quiet moments of tenderness, offering a deeply unsettling yet thoughtful evolution of the series.